In the unlikely event of
Mechanically induced movement affirm the photographic stillness of the portrayed. A text, taken from Nick Land’s 1994 essay Meltdown, informs the porters: “virtuality counterposes itself to history, as invasion to accumulation. It is matter as arrival, even when camouflaged as a deposit of the past.” Emotions are not to be ignored, yet insignificant unless able to produce yield.
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